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我与宋涛在20世纪80年代初相识,当时他就写得一手行书,颇有王羲之的风貌。他调到杭州市政协从事书画研究后,结识的书法大家多了,耳濡目染,书法进益很快,尤其是得到书法前辈沙孟海、郭仲选、高向前等泰斗教诲,更使他是孜孜不倦地求索书法的真谛。每当夜深人静,家人安睡了,他的日课才开始。王羲之、颜鲁公的各种字帖逐本临写,反复揣摩,继而又涉猎黄山谷、宋克、董其昌、王觉斯等古贤大师,遨游于传统
I met with Song Tao in the early 1980s, when he wrote a good book, quite the style of Wang Xizhi. He transferred to the Hangzhou CPPCC engaged in painting and calligraphy studies, to know more calligraphy, monasteries, calligraphy gains fast, especially to get calligraphy predecessors Sha Menghai, Guo Zhongxuan, high forward and other martial arts, but also to make him tirelessly seeking The essence of calligraphy. Every night when the rest of the family, his family fell asleep, his class began. Wang Xizhi, Yan Lugong all kinds of copybook by the provisional write, repeatedly try to figure out, and then covered Yellow Valley, Song Ke, Dong Qichang, Wang Jusi and other ancient Masters, travel in the traditional