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写景诗,尤其是山水田园诗基本上都是通过图形背景的不断转移和变换给读者呈现千姿百态的画面。本文用认知语言学中图形——背景分离理论对《山居秋暝》中的色进行了简要分析。
Writing scenery poetry, especially in the pastoral landscape are basically through the continuous transfer and transformation of the graphical background to the reader presents a variety of images. In this paper, we use the theory of graphic-background separation in cognitive linguistics to briefly analyze the color of “Shanju Qiuyi”.