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古今画家作画,有的取材宏博,艺贯万缘,有的博观约取,一艺名身。前者所取固广,然记忆所及,似乎除却任伯年、齐白石等有数的几位外,往往失之泛滥,短于精深;而后者所取固少,然确多一艺流播,久而弥著之土。比如画竹,前有文与可,后有郑板桥便是典型的例子。实在世界之大,物类之繁,人生不永,精力有限,能够工其一点,使之达到既深且精,拓古启新的程度,亦不愧对艺术的一大贡献了。曹明求以牡丹为题材,竭诚耕耘,
Ancient and modern painters to paint, and some draw macro, arts million edge, and some Bo concept about taking a name art. The former takes a wide range of solid, but as far as memory, it seems that apart from Ren Bo years, Qi Baishi and other a few outside, often lose the proliferation of short, deep; while the latter take a solid few, Mi of soil. Such as painting bamboo, before the text and can, after Zheng Banqiao is a typical example. In fact, the great things in the world, the complex things, the endless life, the limited energy, and the ability to work on it make it both deep and refined. It is also a dedication to art. Cao Ming seeking peony as a theme, dedicated hard,