论文部分内容阅读
“合之两美,离之两伤”——杨守敬书法与清末“碑帖熔冶”观念杨守敬在他的早期书学理论著述《评碑记》序中云:金石之学,以考证文字为上,玩其书法次之。顾淹雅之士,未暇论及点画,而染翰之家,又或专注集帖,不复上窥汉魏。余谓天下有博而不精者,未有不博而能精者也。宋元以来,书家林立,惟行草差可观,而真书云绝,无论篆隶。良由精于简札,略于碑版。故特著此篇,以矫其弊。~([1])此段言明《评碑记》写作主旨,也是清中叶以降金石学、碑学昌盛大背景下的学术
Yang Shou-jing calligraphy and the late Qing Dynasty “Tablet rubs” concept Yang Shou-jing in his early book theory “Commentary Monument” sequence in the cloud: the study of gems, with textual research The text is up, play the calligraphy second. Gu Yan Yan people who have time to talk about and stippling, and dye John’s House, or focus on posts, no longer on the peep Han. I said there are Bo Bo but not the world, there is no Bo but can also be refined. Since the Song and Yuan Dynasties, the book houses everywhere, but the grass is poor, but the real cloud, regardless of Zhuanli. Good by jingzha, slightly on the tablet. So special to this article, to correct its disadvantages. ~ ([1]) This passage states that “Tablet Monument” writing theme, but also in the middle of the Qing dynasty stone science, academic prosperous background academic