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作为我国传统绘画的重要组成部分,壁画在色彩领域所取得的艺术成就是不可忽视的。壁画不同于一般的绘画,它具有自己的特点,即建筑性和装饰性。其中装饰性主要体现在壁画的色彩上。宋元时期的壁画发展到极大规模,虽不及六朝隋唐发达兴盛,但是仍保持相当规模,因此这一时期壁画的发展不容忽视。本文旨在研究宋元时期的道教壁画在色彩上的运用。
As an important part of our traditional painting, the mural’s artistic achievement in the field of color can not be ignored. Unlike ordinary paintings, murals have their own characteristics, that is, architectural and decorative. The decoration is mainly reflected in the color of murals. The frescoes in the Song and Yuan dynasties developed to a very large scale, though they were not as prosperous as the six dynasties in the Sui and Tang dynasties. However, the murals still maintained a considerable scale. Therefore, the development of the murals during this period should not be overlooked. The purpose of this paper is to study the color application of Taoist murals in the Song and Yuan Dynasties.