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在中国艺术发展史上,汉晋之际是一个极其重要的阶段。个体意识的觉醒促使士大夫向文人的转变,使得“为艺术而艺术”的人群迅速扩大,由此而带来了艺术由政治的附庸走向独立生存的重大转折。生活于东汉末年的蔡邕无论是在艺术理念,还是在艺术成就上,都在这一转折中产生了重大的影响和作用。魏晋艺术发展中的另一特点是家族发挥了极为重要的作用。当时的世家大族纷纷由“诗书传家”转向了对艺术的热衷,由此涌现出一大批以艺术作为家族标记的文化世家,与蔡邕生活于同一空间的陈留阮氏家族便是其中较为突出的代表。本文通过对蔡邕和阮氏家族的考察,阐明他们在这一历史时期中的典型意义,由此揭示出汉晋之际艺术发展的特点。
In the history of Chinese art development, the Han and Jin Dynasties is an extremely important stage. The awakening of individual consciousness impels Scholar-officials to change to literati and the population of “art for art” rapidly expands, thus bringing about a major turning point of art from political attachment to independent existence. Cai Yong, who lived in the late Eastern Han dynasty, had a great influence and effect in this turning point both in artistic conception and artistic accomplishment. Another feature of the Wei and Jin artistic development is that the clan plays an extremely important role. At that time, the great families in the family turned from “poetry and family” to the passion for art. From then on, a large number of cultural families marked by art as family clan emerged and lived in the same space with Cai Yong Is one of the more prominent representatives. This essay examines the typical significance of Cai Eun and Nguyen’s family in this historical period, which reveals the characteristics of artistic development during the Han and Jin Dynasties.