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从欧洲戏剧传统溯源,布莱希特表演理论和方法主要接受法国启蒙思想家、戏剧家狄德罗(1713—1784)和德国启蒙思想家、戏剧家莱辛(1729—1781)的影响。从哲学渊源说,这两位资产阶级启蒙思想家的戏剧主张和理论都强调唯物认识论和理性在艺术中的重要作用,主张戏剧的娱乐功能与教育功能相结合,这与布莱希特的戏剧观念是一致的。狄德罗与莱辛对建立欧洲资产阶级戏剧(市民戏剧),包括戏剧理论、创作和戏剧美学都作出过重大贡献,他们二人都是杰出的思想家,思维锐敏,学识渊博,用思想家的目光和胆识,站在那个时代的高度去观察、思考那
Tracing back from the tradition of European theater, Brecht’s theory and methods of his plays are mainly influenced by the French enlightenment thinker and theater dramatist Diderot (1713-1784) and the German enlightenment thinker and theater dramatist Lessing (1729-1781). From a philosophical point of view, both the drama propositions and theories of the two bourgeois enlightenment thinkers emphasize the important role of materialistic epistemology and reason in the arts. They advocate the combination of entertainment function and educational function of drama, which is closely related to Brecht’s concept of drama Is consistent. Diderot and Lessing made a significant contribution to the establishment of European bourgeois drama (civic theater), including theater theory, creations and drama aesthetics, both of whom are prominent thinkers, sharp-minded, knowledgeable and visionary And courage, standing at the height of that era to observe and think about that