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郑洞天导演投书《中国青年报》建议开展『我们怎样做观众』的讨论(见一月四日《中国青年报·星期刊》)。倘若是站在观众的角度建议观众努力提高自己的文化素质,学习些文学、电影等方面的知识,以便更好地欣赏电影,这自然是无可厚非的;但郑文以所谓『心理意趣上趋同』来要求创作者与观众(其实主要指观众),并声称『只会看一种电影未必是好观众』,则使人感到郑导演分明是站在创作者的立场上来指责观众了。似乎观众对当前国产片啧有烦言,其责不完全在于创作者,而在于观众自身缺乏与创作者『趋同』的文化素质。这是一个被颠倒了的论题。
Zheng Dongtian’s vote on the project “China Youth Daily” proposed to discuss “How do we act as an audience” (see China Youth Daily, January 4). It would not be unreasonable to suggest to audiences that they should strive to improve their cultural qualities and learn some literary and cinema knowledge in order to better enjoy the movies. However, Zheng Wen’s so-called “psychological convergence” To ask the creators and the audience (in fact, mainly the audience), and claiming that “only seeing a movie may not be a good audience” makes one feel that Director Zheng clearly stands on the creator’s position to accuse the audience. It seems that the audience is annoyed with the current domestic film tut. Its responsibility lies not with the creators, but with the audience’s lack of cultural qualities of “convergence” with the creators. This is an upside down topic.