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文章由回顾音乐民族化讨论的历史,提出在创作实践中探索的必要性,并选择以双排键电子琴来推进广东音乐电子化,并论证了这样做的合理性,以及践行的基本方式。
The article reviews the history of the nationalization of music, puts forward the necessity of exploration in the practice of creation, and chooses to use double-row keyboards to promote the electronic music of Guangdong. The article also demonstrates the rationality of doing this and the basic ways of practice.