论文部分内容阅读
当米哈伊尔·巴赫金拖着孱弱的身体,在寒冷的流放地,醉心于他的超语言学体系建构的时候,他或许不会预料到其思想所具有的穿透力。半个世纪以后西方思想界对巴赫金的推崇,并非几个思想家偶尔的心血来潮,实是当今文化的发展契合了他的某些理论观点。近二十年来,巴赫金的著作在西方不断出版,更有一些思想家、理论家来阐释和运用他的理论。一时之间,“对话”、“复调”、“众声喧哗”、“狂欢”、“未完成性”等巴赫金的理论术语在学术与理论的探讨中频频出现。人们在重新发现巴赫金的同时,也惊奇地发现,当今哲学、美学等
When Mikhail Bakhtin drags a weak body in a cold, exile, indulged in the construction of his super-linguistic system, he may not have predicted the penetration of his ideas. Half a century later, the western ideological community’s respect for Bakhtin is not the occasional whim of a few thinkers. It is a fact that the development of today’s culture fits with some of his theoretical points of view. In the past 20 years, Bakhtin’s works have been published in the West. Some thinkers and theorists have come to interpret and apply his theory. In a short period of time, the theoretical terms of Bakhtin such as “Dialogue”, “Polyphony”, “The Voice”, “Carnivals” and “Incompleteness” frequently appeared in the academic and theoretical discussions. People rediscovered Bakhtin, but also surprised to find that today’s philosophy, aesthetics and so on