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在艺术的世界中,我们选择功利;在时间的长河中,我们选择流放;在传媒将死的光怪陆离中,我们选择新闻的绝望;在蜂拥而上的盲目城市里,我们选择抗争与倔强。总是有那些敢于向这个世界呐喊的人,无论他们站在哪一片精神世界的废墟上,他们都值得尊敬。美国的电影工作者用12年的时间,拍出一部电影《少年时代》,我们的电影工作者用5 5天的时间拍出一部电影《奔跑吧,爸爸去哪》。我们能坐下来和这个世界谈谈吗?这个世界能坐下来和我们谈谈吗?恐怕不能,不是因为没有地方坐,而是这个世界静不下来,我们听不清
In the art world, we choose utilitarianism. In the long run of time, we choose to exile. In the bizarre media death, we choose the desperation of the news. In the blind city where swarms are swirling, we choose to resist and be stubborn. There are always those who dare to cry out to this world, no matter where they stand in the ruins of the spiritual world, they are worthy of respect. American filmmakers took 12 years as a film, “Boyhood.” Our filmmakers used a 55-day filming of “Running, Where’s Dad?” Can we sit down and talk to the world? Can the world sit down and talk to us? I’m afraid not, because there is no place to sit, but the world can not stand still. We can not hear it.