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提起“戏曲化”,有人只是简单地把它归结为戏曲中某些姿态动作,程式套子,进而引申发挥,说戏曲化就是“老化、僵化”,并且人为地制造了一个“靶子”,要冲破它的束缚。殊不知戏曲艺术要“戏曲化”,有它自己特殊的理由。因为任何一种艺术,都有着自己反映生活的艺术手段和表现方式。戏曲艺术借助于唱、做、念、打等手段、方法,塑造人物,反映生活。这既是它自身的艺术特点,也是它区别于话剧、歌剧等其它戏剧艺术的重要标志。戏曲艺术有着自己独特的创作规律和一整套唱、做、念、打的表演程式,这些规律和程式是数代
Mentioning “dramatization” simply means that it is attributed to some gesture movements in the opera, and then extended to exert, dramatization is “aging, rigid,” and artificially created a “target” to break through It’s bound. Everybody knows that opera art should be “dramatized” and have its own special reasons. Because of any kind of art, have their own art of life means and performance. With the help of singing, doing, reading, playing and other means and methods, opera art shapes characters and reflects life. This is not only its own artistic characteristics, but also an important symbol of its distinction from drama, opera and other theater arts. Opera art has its own unique creative law and a set of singing, doing, reading, playing performance programs, these laws and programs are several generations