双眸熠熠 顾盼有神——谈严凤英演七仙女的“眼神”运用

• 作 者: 王晓东
• 出 处: 黄梅戏艺术
• 发表日期: 1984年01期
• 关键词: 严凤英 七仙女 《天仙配》 黄梅戏 表演艺术 董永 带着 天仙配 精神面貌 青年一代

严凤英同志精湛出众的表演艺术,在人们心目中留下深刻的印象,也为从事黄梅戏的青年一代树立了楷模。尤其是她那“眼神”的运用,在表现人物的思想感情和精神面貌上,可说是达到了貌与神合,神与心通。 以《天仙配》七仙女一角来说,“鹊桥”一场,按传统的表演方法,总是一出场就笑盈盈地来个“亮相”。因为过去讲究所谓不能带着

Comrade Yan Fengying’s outstanding performing arts has impressed people deeply and has set a good example for the younger generation who are engaged in Huangmei opera. In particular, the use of her “eyes” can be said to have attained the appearance of God, heart and heart in expressing the thoughts and feelings of the characters. To “fairy” with seven fairy corner, “Magpie Bridge” a field, according to the traditional method of performance, always a smile on the ground to make a “debut.” Because the past stresses the so-called can not take