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侯孝贤作为台湾新电影的重要代表人物,其影片具备丰富的镜头美学特质,充足的文化叙事美学,纪实主义电影本体。无论是导演、编剧,还是监制,都深深的形成了“侯式风格”。本文就以侯孝贤的影像风格为切入点,研究其镜头背后的诗意与忧思,剖析这个文化韵味十足的电影诗人。将重点集中在侯孝贤电影的美学思想上,解读电影中的镜头和叙事,探究电影本体论中所蕴含的美学思想。
As an important representative of Taiwan’s new movie, Hou Hsiao-hsien possesses rich aesthetics of lens, abundant aesthetics of culture, and realism of film. Whether the director, screenwriter, or producer, are deeply formed “Hou style ”. In this paper, Hou Hsiao-hsien’s image style as the starting point to study the poetic and anxiety behind the lens, analyze the cultural flavor of the full movie poet. Focusing on the aesthetic ideas of Hou Hsiao-hsien movie, we can interpret the scenes and narratives in the movie and explore the aesthetic thoughts contained in the film ontology.