“微批评”的尴尬

• 作 者: 周莹
• 机 构: 四川美术学院,
• 出 处: 艺术与设计(理论)
• 发表日期: 2016年Z1期
• 关键词: 微美学 互联网平台 微批评 艺术传播 批评方式 艺术批评 学术系统 移动平台 移动互联网 朋友圈

活跃在移动互联网平台上的艺术传播包括“微拍”“微展”“微漫画”“微批评”等等,被统称为“微美学”。微拍、微展等借助移动平台转变了传统拍卖和展览形式,获得了得天独厚的优势。然而,微批评并没有因为媒介的更新,而形成新的批评方式。它无法蜕变,主要有三个方面原因。文章在最后还会就提高微批评的水平,提出建议。

Art communication that is active on the mobile Internet platform includes “Microblogging”, “Micro Exhibition”, “Micro Comics”, “Micro Criticism” and so on, which are collectively referred to as “Micro Aesthetics.” Microphone, Micro Exhibition, etc. With the use of mobile platform to change the traditional auction and exhibition form, access to a unique advantage. However, micro-criticism did not form a new way of criticism because of the media’s renewal. It can not be transformed, there are three main reasons. Finally, the article will raise the level of micro-criticism, make recommendations.