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文章以桃花坞木版年画这一传统美术元素为主体,从它的历史地位到它的制作题材,以及其特有的艺术价值效果等等,来分析它独特的魅力,并将这种魅力结合在现代插画的运用中。是一种传统与现代的碰撞。根据目前国内插画市场的调查研究:具有生动本土性、原创性的插画及绘本少之又少。如何更好的传承传统美术元素,发展及创新它,已然成为一种必要。本文将以桃花坞木版年画这一传统美术元素为切入点,结合现代插画进行分析。两者的融合突破了传统的局限及单一性,更好的阐释了传统与现代的关系,使传统美术元素的发展变为多样性。此外,让更多人熟知具有中国特色的插画,也是每一个插画人维护自己文化延续性的责任。
The article takes Taohuawu woodcut New Year pictures as the main body of the traditional art, analyzes its unique charm from its historical status to its production theme and its unique artistic value effect, and combines this charm with the modern Illustration of the use of. Is a traditional and modern collision. According to the current market survey of domestic illustration: vivid native, original illustrations and picture books with very few. How to better inherit the traditional art elements and develop and innovate it has become a necessity. This article will take Taohuawu woodcut New Year traditional art elements as the starting point, combined with modern illustrations for analysis. The integration of the two broke through the traditional limitations and unity, better explained the relationship between tradition and modernity, and made the development of traditional art elements diversified. In addition, letting more people know the illustrations with Chinese characteristics is also the responsibility of every illustrator to maintain the continuity of his own culture.