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本文将茅威涛领衔的越剧改革作为当代越剧改革的代表,通过改革中的代表性导演——郭晓男与杨小青导演艺术的区别,探讨当代话剧观的流变及其对越剧改革的影响。
This article will be led by Ma Wentao Yue opera reform as the representative of contemporary Shaoxing reform, through the reform of the representative director - Guo Xiaonan and Yang Xiaoqing director of art, to explore the change of contemporary drama and its impact on the reform of Yue opera.