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任何事物都有个“限度”。真理,越过了就变成谬误。“情节片”的“度”是合情入理,越过了这个“度”,就变得不伦不类。影片《血魂》是描写我党在解放战争时期淮海战役地下斗争的故事。前些年这类影片不少,但质量上乘的不多。它们没有真实准确地反映当年艰苦卓绝的地下斗争生活,且多有违反地下斗争规律的描写,这部影片同样有这个缺陷。表面看起来,情节设置得可谓紧张惊险、扑朔迷离、悬念迭起、惊心动魄。真假叛徒,两个打字员,两个“车前草”,真假难辨,险象丛生。但仔细琢磨却觉得得这是编导随心所欲,故弄玄虚,胡编乱造,脱离了地下斗争生活的实际和情节的前后联系,孤立设置惊险情节,缺
Everything has a “limit.” The truth, beyond it, becomes a fallacy. The “degree” of “plot” is a matter of fact, beyond this “degree”, it becomes neither fish nor fowl. The film Blood Soul is a story describing the underground struggle of our party in the Huaihai Campaign during the War of Liberation. A few years ago, many of these films, but not much good quality. They did not truly and accurately reflect the hard-fought underground struggle of life and they often described the law of underground struggle. The film also suffers from this flaw. On the surface, the plot can be described as thrilling adventure, complicated and confusing, suspense one after another, soul-stirring. True and false traitors, two typists, two “Plantain”, true and false, difficult to distinguish, danger. But think carefully and think it is director arbitrary, trickery, fooling around, from the underground struggle of the actual situation and plot before and after the link, set the adventure plot isolated, the lack of