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关于吟诗调的音长问题,普遍认为有“平长仄短”的原则。但是,具体的吟诵中也有不符合“平长仄短”规律的情况,所以“平长仄短”问题有必要深入研究。由于条件所限,本文先研究一个人的个案,就湖湘诗派代表人物史鹏先生的近体诗吟诵调进行音长方面的统计分析。结果表明,“平长仄短”的规律适用于节奏字,其余非节奏字大多没有严格的规定,可以根据诗歌表达的意义以及吟诵者当时的情感进行比较自由的处理。
As for the tone length of Yin tune, it is generally believed that there is the principle of “flat and short”. However, there are also some inconsistencies in the rules of “flat, long and short” in the specific recitation, so it is necessary to study the issue of “flat and short”. Due to the limited conditions, this article first studies a case of one person and makes a statistical analysis on the long sounding tone of the near-body poems recited by Mr. Shi Peng, a representative of the Hunan-Hunan poetic school. The results show that the law of “flat and short” applies to rhythm words and most of the other non-rhythmic words are not strictly defined. They can be handled more freely according to the meaning of poetry and the emotion of the reciters.