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无锡惠山传统泥人以它简朴的造型、明快的色彩、丰富的装銮,形成了恬美而朴实、生动而稚拙的艺术风格和鲜明的江南水乡特色;因而闻名遐迩,成为我国南方民间彩塑艺苑中的一朵奇葩。在当今返璞归真、回归自然的热潮中,研究传统惠山泥人的造型特征有一定的现实意义,对探讨传统民间艺术如何适应时代需求及现代审美兴趣是十分有益的。虽然一件彩塑作品展示在人们眼前时,色彩首先跃入人们的视觉,而作品本身造型往往处在第二,它就是惠山彩塑艺人常说的“三分坯、七分画”这一行话的所在。然而造型是彩塑艺术的基础,忽视了它,就等于忽视了彩塑艺术的本体。一件完美的彩塑作品,是造型与色彩的高度统一,是坯色相互衬托的两个不可分割的统一体,造型和色彩是塑造惠山泥人鲜明地方特色的不可分
Wuxi Huishan traditional clay figurine with its simple shape, bright colors, rich installed Luanguan, formed a beautiful and simple, vivid and naive artistic style and distinctive southern Yangtze River features; hence the world famous, become China’s southern folk color Art In a wonderful work. It is of practical significance to study the modeling features of the traditional Huishan clay figurines in today’s upsurge of returning to nature and returning to nature. It is very helpful to explore how traditional folk art can adapt to the needs of the times and modern aesthetic interest. Although a colorful plastic works show in front of people, the color first jump into people’s vision, and the work itself is often in the second shape, it is often Hui plastic artistes often say Where the line of words. However, modeling is the basis of plastic arts, ignoring it, it is equivalent to ignoring the ontology of plastic arts. A perfect color plastic works, is a high degree of unity of shape and color, is a blank color set off each other two indivisible unity, shape and color is to shape Huishan Clay distinctive local characteristics are inseparable