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和许多关于伟大艺术的故事一样,表面载体派艺术(Supports/Surfaces)弥漫着一股似乎不可能发生的气息。1968年的“五月风暴”在法国年轻一代的心中根植了这样的概念:一切皆为可能,打破一切既有结构正是年轻一代的责任。在经历了正常近乎狂喜的思想洗礼之后,艺术家们接下来会如何选择自己的道路?只有傻瓜才会固步自封,满足于狭隘的抗争艺术。在巴特(Barthes)、德
Like many stories about great art, Supports / Surfaces pervades a seemingly impossible atmosphere. The 1968 “May Storm” has rooted in the minds of the younger French generation of the notion that everything is possible and that it is precisely the younger generation’s responsibility to break through all existing structures. After experiencing the normal near ecstasy of the baptism of ideas, artists will then choose how to follow their own path? Only fools will be complacent, contentment of narrow art of resistance. In Barthes, Germany