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漫说戏剧语言人物的对白,可以说是话剧的艺术生命。古代戏曲理论家李笠翁早就指出曲之有白,犹如胶体之于血脉。高尔基更强调戏剧语言对于剧本有着巨大的决定性的意义。诚然,画家离开了线条和色彩无以创造形象,音乐家需赖声音以制作乐章歌曲,而剧作家则必须通过对白来表现
It can be said that drama is the artistic life of drama. Ancient opera theorist Li Liweng has long pointed out that the song is white, like a gel in the blood. Gorkier’s emphasis on theater language is of great decisive significance to the script. It is true that the artist left the lines and colors to create the image, the musicians rely on the sound to make movement songs, and the playwright must express through the dialogue