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综览第二届楷书展入展作品,我不禁产生这样的疑问,有些作品的取法与风格,是否会成为作者今后的创作方向?比如取法欧体、瘦金体、颜真卿《麻姑仙坛记》等。设想一下,若以“瘦金体”等偏狭风格入选的作品为例,且不说作者是否长期倾心于此类书风,因其不具有普遍性,任何明智的作者,虽可阶段性涉猎此类书风,断然不会以此作为较为长远的创作取向。再比如,是否取法褚遂良《雁塔圣教序》等一家一帖风格而
At a glance at the second regular script exhibition, I can not help but give rise to such questions as whether some of the methods and styles of writing will become the author’s future creative direction. For example, “Wait. Imagine, for example, the narrowly selected works such as Skinny, not to mention whether the author has long devoted himself to such a style of writing. Because it is not universal, any wise writer can step by step Such book style, categorically not as a more long-term creative orientation. Another example, whether to take the law Chu Sui-liang, ”Yanta holy order" and so on one post style