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作为走红20世纪八、九十年代的小说家,成汉飚陡然转向于书画领域。他的“鱼系列”小说,展现的是“鱼跃龙门”式的昂扬进取精神,这为他由文学而艺术的转向,奠定了坚实的基础。同时,他的文学功底和博雅风范,也为其书法创作给予滋养,构筑了他“气韵”生动的自在与自然的人生,并以他的创作实践,成为文学与书法的双栖艺术家。
As a popular novelist in the eighties and nineties of the 20th century, Cheng Han Biao suddenly turned to the field of calligraphy and painting. His “Fish Series ” novels show “spirited dragon” style of high spirited enterprising spirit, which laid a solid foundation for his turn from literature and art. At the same time, his literary talent and liberal style also provide nourishment for his calligraphy creation and build up his vivid freedom and natural life. With his creative practice, he becomes an amphibious artist of literature and calligraphy.