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人类自起源便对符号开始有了研究,至今已有近两千年的历史,著名的意大利符号学家翁贝尔托·埃科曾断言说:“过去和现在的任何一位伟大的哲学家无不在以某种方式研究符号学。”英国哲学家和美学家M.C.比尔兹利指出:“从广义上来说,符号学无疑是当代哲学以及其他许多思想领域的最核心的理论之一。”符号学自发展起也在人类各个领域发挥着重要的作用。而当符号应用于电影创作和研究中时,便形成了重要的电影符号美学,而此篇论文便以具有代表性的第五代导演张艺谋的电影为例,来研究当作品从文字符号转换为影像符号后,其表现形式的对比。
Since the beginning of humanity, the symbol began to be studied. Up to now, nearly two thousand years have passed since the famous Italian semiotian Umberto Eko asserted: “Any great philosopher in the past and present has In some way studying semiotics. ”“ British benevolent and esthetician MC Beardsley pointed out: ”Semiotics is broadly one of the most central theories of contemporary philosophy and many other areas of thought.“ ”Semiotics has also played an important role in all fields of mankind since its development. When the symbols are used in film creation and research, they form an important aesthetics of cinema signage. This paper takes the representative film of the fifth generation director Zhang Yimou as an example to study the transformation from writing symbols to After the image symbol, the contrast of its manifestation.