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中国先锋作家在小说中普遍表现出一种对现实逃避的现象,其原因有二:一是先锋作家在面对生存环境的压迫时,缺乏直接作出真实判断的勇气;二是先锋作家内心缺乏一种清晰的尺度。针对先锋小说的局限,先锋作家的态度各不相同,部分作家选择就此搁笔,另一部分(如余华等)则是继续寻找出路。本文从以马原、余华和格非为代表的先锋作家在其小说中表现出来的逃避现象着手,深入分析其具体表现及出现原因,最后对先锋小说的出路问题进行探讨。
Avant-garde writers in China generally show a kind of escape from reality in the novel for two reasons: First, the avant-garde writers lack the courage to directly make true judgments in the face of the oppression of living environment; second, Kind of clear scale. Avant-garde writers have different attitudes toward the limitations of avant-garde novels. Some writers choose to put their hand on it. The other part (such as Yu Hua) continues to find a way out. This paper starts with the evasion phenomenon exhibited by pioneer writers represented by Ma Yuan, Yu Hua and Ge Fei in their novels, analyzes their concrete manifestation and causes, and finally probes into the way out of pioneer novels.