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建筑物是可以生长,可以加接的,可以改变入口的方向,也可以像细胞那样一分为二、一分为三,以适应变化着的需要。民居作为建筑物的一种类型,它的独立性更好的体现出这种有机品格。天井作为独立式住宅的生长点,沿袭至今为我们充分利用旧民居提供了方便。缕缕阳光借由天井顺势洒落下来,映射在古朴的地砖上,幽幽淡淡泥土芳香萦绕开来,仿佛历史的写照在飘荡。这种美,传达出一种生活是一种态度,更反映出以人为本的表达方式。关于未来住宅的设计方向的把握,需要善于利用建筑的“细胞”来完善自身的发展,正是以人为本的考虑。作为一个贯穿春秋沿袭至今的的建筑符号,天井的存在无论是象征意义还是实际功能的体现都反映出古时原始的生态观,影响着一代一代的建筑师们。
Buildings can grow, they can be connected, they can change the direction of the entrance, and they can be divided into two like a cell and divided into three to meet the changing needs. As a type of building, the dwellings have better independence and reflect this organic character. As a growing point for detached houses, the Pagoda continues to provide convenience for us to make full use of old houses. The sun shines through the courtyard, and it is mapped onto the quaint floor tiles. The faint smell of mud and earth lingers around, as if the portrayal of history is drifting. This kind of beauty conveys a kind of life as an attitude and reflects people-oriented expression. The mastery of future residential design needs to be good at using the building’s “cells” to improve its own development. It is people-oriented considerations. As a symbol of architecture that continues through the Spring and Autumn Period, the presence of the courtyard, both symbolic and practical, reflects the original ecological view of ancient times and influenced architects of a generation.