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本文将拉尔夫·埃利森的《看不见的人》与托尼·莫里森的《宠儿》进行对读,不是将后者视为前者文化资本的产物,而是将两者置于一个对话关系之中加以审视,试图论证:莫里森同样运用了调解和冥想,以爵士乐演奏的形式,开拓了一条通向洗清奴隶制时期“梦想之罪”所必须的民族反思的新路径。为探求在动荡的美国政治体中得以康复的切实可行的形式,这两部小说都将调解与冥想并置,以此激发读者对社会凝聚力的诸多特征作出思考。
Instead of thinking of the latter as a product of the former cultural capital, the article puts Ralph Ellison’s “invisible man” with Toni Morrison’s “darling,” instead of placing both in one To examine the relationship between the dialogues, trying to argue: Morrison also used the mediation and meditation, jazz performance in the form of a leading to the era of slavery Qing “the sin of dream ” the necessary new national reflection path. In their search for a viable form of rehabilitation in the turbulent American political body, both juxtaposes conciliation with meditation in order to inspire readers to contemplate the many characteristics of social cohesion.