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正如在我们伟大的祖国一样,印度尼西亚的民间戏剧也是十分丰富多采的。特别是在爪哇岛,有多种为人民喜闻乐见的民间戏剧。这里且不谈历史悠久、具有广泛群众基础的“皮影”,仅“人戏”就有多种。流传在东爪哇一带的有“鲁德鹿”(Ludruk),流传在中爪哇一带的有“格多柏辣”(Ketoprak),还有一种叫“马达兰达格兰”(DagelanMaturam)。这些剧种不像“哇扬人戏”那样具有宫廷味,而是从民间土生土长出来的。如果可以这样说,“哇扬人戏”有点近乎我国的京戏,那么其他几种剧种就有点近乎评
Just as in our great motherland, Indonesian folk drama is also very rich and varied. In Java, in particular, there are many folk plays loved by the people. Not to mention here the “Shadow of the Shadow,” which has a long history and has a broad mass base, there are many kinds of “human drama” only. There is the Ludruk circulating in East Java, the Ketoprak circulating in Central Java and the Dagelan Maturam. These operas are not as courty as Wanyan Opera, but are native to the country. If it can be said, “Wow Yangren drama” is a bit closer to our Beijing opera, then several other operas are a bit closer