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了解中国传统装饰艺术的历史,需从“纹化”艺术开始,最初的“纹化”是石块刻划所产生的线纹,“纹化”活动的视觉思维方式为“观物取象”。对于装饰艺术的社会存在、社会价值以及目的的不同思想理论、审美要求,进而形成了中国的四种美学思想。装饰是一种审美理想,是一种工艺技法,也是一种艺术形式,有着深层次社会感情和文化意识。主宰着中华民主的文化内涵,并伴随历史的演进不断的丰富发展,并渗透到当今生活的方方面面。
To understand the history of traditional Chinese decorative arts, we need to start with the art of “weaving”. The first “weave” is the line pattern produced by stone engraving. The visual thinking of “weaving” activities is “Observe the image ”. For the social existence of decorative arts, social values and purpose of different ideological and aesthetic requirements, thus forming the four kinds of Chinese aesthetics. Decoration is an aesthetic ideal, a technique technique, an art form, with deep-seated social feelings and cultural awareness. Dominate the cultural connotation of Chinese democracy, and with the gradual development of the history of continuous rich, and infiltrated all aspects of today’s life.