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主持人语正确理解马克思主义的接受美学,并将其方法论引入艺术史研究领域,这对于促进艺术史特别是美术史研究的深入开展具有重要的现实意义。胡光华辨析了西方一些美学家对马克思主义美学的扬弃,认为马克思主义的接受美学是创造美学,关健在于它提示了艺术发展的辩证规律,即创造与接受的辩证过程,对于艺术史研究有重要的开拓性、现实性意义。温故为了知新,继往才能开来。世纪之交,回顾20世纪中国美术的发展及其研究状况,从中得出一些带规律性的认识,无疑对于下个世纪中国美术的发展及其研究有着重要意义。邓福星回顾了本世纪中国美术研究的历程和学术成果,分别对中国美术史研究、美术理论研究以及对外国美术的介绍和研究,进行了梳理论述,指出一些主要特点,有助于史论研究者更加自觉地运用马克思主义的辩证唯物论和历史唯物论的观点和方法去研究美术史,特别是现当代美术史。您见过清咸丰七年(1857年)广州佛山人民与入侵英军的激战场面吗?您见过清光绪十年(1884年)在香港举行的“西人赛画”的真实情景吗?……这些以描写当时现实社会生活和时事新闻为内容的近代民间美术作品具有重要的史料价值,但目前仍然为人们所忽略。王树村收集和介绍的这几件作品,可以引起我们对收集近代民间美术资料的重视和研究兴趣。
Host language to correctly understand the Marxist acceptance of aesthetics, and its methodology into the field of art history research, which is to promote the development of art history, especially art history has important practical significance. Hu Guanghua analyzed some western western aestheticists’ sublation of Marxist aesthetics. He believed that the receiving aesthetics of Marxism is to create aesthetics. The key point lies in that it suggests the dialectical law of artistic development, that is, the dialectical process of creation and acceptance. For the study of art history Important pioneering, practical significance. Therefore, in order to understand the new temperature, the future can come. At the turn of the century, looking back at the development of Chinese art in the 20th century and its research status, we can draw some regular knowledge from it. It is undoubtedly of great significance to the development of Chinese art in the next century and its research. Deng Fuxing reviewed the history and academic achievements of Chinese art research in this century. He combs and elaborates on the study of Chinese art history, the study of art theory and the introduction and study of foreign art respectively, and points out some key features that are helpful to the study of history theory More consciously apply the viewpoints and methods of Marxist dialectical materialism and historical materialism to study the history of fine art, especially the contemporary art history. Have you seen the Qing Xianfeng seven years (1857) Foshan, Guangzhou, the people and invading the British battle scenes? Have you seen ten years Guangxu (1884) held in Hong Kong “Western painting” the real situation? ... ... These modern folk art works with the description of the actual social life and current news at the time have important historical value but are still ignored by people. Wang Shu-cun collected and introduced these few pieces of works that can arouse our attention to the collection of modern folk art materials and research interests.