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小时候,在谭畅老师身边玩陶,那是为了玩而模仿；工作以后在谭畅老师身边做陶那是为了生存而偷师。谭畅老师一生做了无数的作品,大大小小不下千件,看他做的陶器似乎有永远也做不完的感觉,每件都别出心思。我和家人从小就很敬佩谭畅老师,那时他经常从广州很远的地方到石湾产区来做作品,一听到妈妈说“老谭来了”,我就在工场里到处去找谭畅老师,只要看到他在工作,我就跟着一起开工。他做大的,我就做小的,当时不知什么叫陶艺。我的小家伙做好后经常被谭畅老师和一起来的郑可老师收藏起来,有些甚至拿到学院当作教材,弄得我以为比他们都做得好。长大以后才知道考美院是这么难。
When I was a child, I played Tao with my teacher Tan Chang. I tried to play imitation. Later, I worked as a teacher to make Taoist life. Tan Chang has done countless works throughout his life, being under one thousand pieces, regardless of size and size. His earthenware seems to always have the same feeling. When I was young, my family and I admired Professor Tan Chang. At that time, he often made works from a place far away from Guangzhou to the Shiwan area. When I heard my mother said, “Old Tan came,” I went everywhere in the workshop Tan Chang teacher, as long as I saw him at work, I followed to start with. He grew bigger, I was a small, then I do not know what ceramic art. After my little guy was done, my little guy was often collected by Teacher Tan and a teacher Zheng Ke. Some even got the college as a teaching material, which made me think they did a better job than them. I did not know that it was so difficult to grow up after I grew up.