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难忘1987年那个北京炎热的夏天,我们许多人聚集在中央戏剧学院,热气腾腾地探讨导演教学,总结粉碎“四人帮”恢复导演教学八年来的收获。十三年过去了,参加会议的一些老教授有的已经作古,但他们的发言至今仍记忆犹新。当时,讨论的中心议题是“导演素质”。大家根据改革开放以来话剧发展的形势和文艺院团对导演的要求,研究应当如何培养导演。 那段时间正值话剧高潮,各种艺术探索风起云涌,什么都在试,什么都敢试。好戏连台,人才迭出。导演艺术一派飚升火旺的态势。著名的导演艺术家如黄佐临、徐晓钟、胡伟民、
Unforgettable In the hot summer of Beijing in 1987, many of us gathered at the Central Academy of Drama to discuss the director’s teaching with steam and to sum up the smashing of the “Gang of Four” to restore the director’s teaching over the past eight years. Thirteen years have passed. Some of the veteran professors who attended the meeting have gone through arrogance, but their speeches are still fresh in their memory. At that time, the central topic of discussion was “director quality”. According to the situation of the development of drama since the reform and opening up and the requests of directors and directors of literary and art troupes, we should study how to train directors. That period of time is at the climax of the drama, all kinds of artistic exploration surging, what are the tests, what dare to try. Huxian even Taiwan, talent after another. Director of the art school soared momentum. Famous director artists such as Huang Zuolin, Xu Xiaozhong, Hu Weimin,