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是宋思明把(女)观众从“没有男人”(当一家之主的“主”是女人)的现实问题中解放出来,再把她们带到一个男性悲剧的虚幻中(在女性当权的时代中,“男人”也会变成绝种动物。)
It is Song Siming liberating the female audience from the real problems of “no man ” (when the main subject of the family is the woman), and then they are brought into the illusion of a male tragedy Era, “man” will become an extinct animal.)