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本文从媒介的角度出发,分析了漆画媒介的特点,并与丹培拉和油画媒介做了比较。笔者认为,由于媒介的限定,使得漆画无论在技术操作还是审美评判上都难以与传统工艺脱离关系。在绘画性与工艺性难以两全的情况下,回归漆画本身与走向综合材料艺术,这两种路径或许是漆画未来能获得更好发展的最大可能。一、关于绘画性客观而言,造型艺术都存在着一些绘画性的问题。绘画性是“创作主体在创作过程中所流露出的将思维形象化的清晰轨
From the perspective of the media, this article analyzes the characteristics of lacquer media and compares it with Dan Pelay and oil media. The author believes that due to the limited media, making the painting in terms of technical operation or aesthetic judgment are difficult to break away from the traditional process. It is perhaps the greatest possibility that paint painting will return to a better development in the future when it comes to the art of painting itself and to the art of integrated materials where painting and craftsmanship are difficult to combine. First, as far as the objective of painting is concerned, there are some painting problems in the art of molding. Painting is ”the creative subject in the creative process revealed by the visualization of clear orbit