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台北“故宫博物院”藏传为宋李公麟作《万国职贡图》一卷,有吐蕃、宾童龙、暹罗、回鹘、女王、扶桑、浡泥、女送、三佛齐、鞑旦国等十国使者画像及题记。题记署元人虞集书,卷末有元人李衎、明人王达题跋。论文首先考察历代书画著录中所见李公麟《职贡图》知见传本,判断其中各件无法构成合理的流传系谱,难以视为李氏原作。再以传世书画作品中虞集、李衎、王达真迹为参照进行比对,判定卷内虞集所书题记,卷末李衎、王达题跋亦伪。复由题记内容之史料来源、产生时代等问题进行考察,考证传为李公麟作《万国职贡图》诸国题记,实自明人王圻等撰《三才图会》一书抄撮而成。
Taipei “National Palace Museum” Tibetan Song Li Gonglin for the “Wan Gonggong map” a volume, Tubo, Bin Tong Long, Siam, Hui, Queen, Hibiscus, mud, women to send, three Buddha Qi, Tatar Countries and other ten messenger portraits and inscriptions. Inscription Department Yuan Yu Ji Shu, the end of the volume of people Yuan Li, Ming Wang Da Postscript. First of all, the thesis examines the biography of Li Gong-lin’s “Gong Gong Tu” seen in the records of ancient calligraphy and painting, and judges that each of them can not constitute a reasonable pedigree of pedigree, which is hard to consider as Li’s original work. And then handed down in the world of calligraphy and painting works set, Li Kui, Wang Da authentic comparison for reference, determine the volume of Yu Ji set the title of the book, the end of the volume Li Kui, Wang Da Postscript and false. From the historical sources of the content of the inscription, the generation era and other issues to conduct an investigation, research into Li Gong-lin as a “universal job tribute map” inscriptions of all countries, the real Wang Ming and other essays, “Sancai figure will be” a book copy.