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年年岁岁花相似,岁岁年年人不同,看花儿的人来了一茬又一茬,画花儿的人走了一拨又一拨,来过的走了,走了的又来了,花儿迎来送往,她看过了各种形态的人。人有需花无求,她明白的只是奉献。从学画牡丹,到能画出自家面目的牡丹花儿,这一走便是四十多年。我从喜好王雪涛画的牡丹到上追齐白石、吴昌硕、任伯年、赵之谦、恽南田再到徐渭、陈淳,直追至王渊和徐熙所画的牡丹,看多了画多了,自然总结出了自己对牡丹的理解与画法。多年的学习与实践,我认为画牡丹的高手只有徐渭、齐白石才是真正写出了牡丹的精神来的。他们笔下的牡丹已到了得意忘形之境,难得难得。
Similar to the age of the year-old flower, age-year-old people are different, people who see the flower came in another crop, who drew a wave of calligraphy and painting again, gone, gone Here, the flowers greet us and she has seen all kinds of people. People have to spend nothing, she understands only dedication. From learning to draw peonies to painting peony flowers of their own purposes, this journey has taken more than 40 years. I chanted the white peony from Wang Xitao’s paintings like white stone, Wu Changshuo, Ren Biannian, Zhao Zhiqian, Nan Nantian and then to Xu Wei and Chen Chun and went straight to the painting of Peony by Wang Yuan and Xu Xi Out of their own understanding of peony and painting. Years of study and practice, I think only the master of painting peony Xu Wei, Qi Baishi really wrote the spirit of the peony. The peonies they have written have come to a delightful occasion, a rare rare.