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陶瓷工艺,在我国有着悠久的历史,国际上也素享盛名。陶瓷工艺品,不仅在人们的日常生活中有着重要的实用价值,而且在丰富人们的精神生活方面,也起着很大的作用。可是,当我们使用或鉴赏一件精美的陶瓷工艺品时,有谁曾想到,在旧社会,陶瓷工艺品的创造者,也和其他广大的劳动人民一样,有着一段辛酸的血泪史呢! 而正在上映的《祭红》就是一部以陶瓷艺人在新旧社会的不同生活命运为题材的故事片。这部影片,就它的故事情节及其表现的主题看,并没有什么新的特色;但是,同某些表现类似主题的影片相比较,它在对人物性格和
Ceramic technology, in our country has a long history, internationally renowned reputation. Ceramic crafts, not only in people’s daily lives have an important practical value, but also in enriching people’s spiritual life, also plays a big role. However, when we use or appreciate a fine ceramic handicraft, did anyone ever think that in the old society, the creator of ceramic handicrafts, like most other working people, has a bitter history of blood and tears! “Festival Hong” is a feature film based on the fate of different life of ceramic artists in the new and old society. There is nothing new about this film, in terms of its storyline and the subject of its performance; however, compared with certain films that show similar themes,