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以韵文形式论文学,在中国文学史上可谓由来尚矣。早在先秦时代我国第一部诗歌总集《诗经》中,就已经出现“吉甫作诵,其诗孔硕,其风肆好”和“吉甫作诵,穆如清风”(《大雅·烝民》)这样的诗句,直可视为“诗”与“论”相结合的滥觞。至唐代,诗圣杜甫以《戏为六绝句》在“以文论诗”传统之外别张一军,正式开启“以诗论诗”的新体式。其后自韩愈、白居易以下,多有诗论家踵其事,而尤以司空图《二十四诗品》,元好问《论诗三十首》,王士祯《戏仿元遗山论诗绝句三十二首》等组诗堪称盛事,使以
Literary theory in the form of verse can be described as the origin of the history of Chinese literature is still carry on. As early as the pre-Qin era, China’s first poetry collection “The Book of Songs”, already appeared “Ji Fu recited, the poem Kong Shuo, the wind is good” and “Ji Fu recited, Muru Qingfeng” (“Ta Ya people”) such verses, can be regarded as “poem ” and “theory ” the combination of origin. To the Tang Dynasty, the poem Sheng Du Fu to “play for the six quatrains” in the “Literary Criticism Poetry” other than the traditional Zhang Yijun, officially opened “poetry on poetry ” new style. Later, since the Han Yu and Bai Juyi, there are many poet theorists, but especially in Sikong “Twenty-four Poems”, Yuan Hao asked “On Poetry Thirty”, Wang Shizhen “ Quatrains thirty-two ”group of poems called the event, so that