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在新风盛极一时的画坛,宁曰曾的画也许会被指为“旧”。但他执着地、一往情深地去探寻民族传统绘画的某些规律,恪守那些其实并未过时基本法则。经受过失败的打击,度过了受挫折的岁月,饱尝了寂寞耕耘的甘苦,走尽了曲折艰难的路程。终于,拿出了一批又一批作品。仅此一点,足堪令人为之一惊。何况,被指为“旧”者,未尝不孕育着新,被奉为“新”者,未必不沦为过眼烟云、昙花一现之作,而终归于旧。当然,凡严肃的探索,大胆的创造,都是有益的,求
In the fresh air of the painting scene, Ning said the painting may have been referred to as “old.” However, he persistently and passionately explores some of the laws governing traditional ethnic painting and abides by those basic rules that are not in fact out of date. After the defeat of the blow, through the years of setbacks, full of lonely hard work, go through the tortuous journey. Finally, came out batch after batch of works. This alone is surprising. What is more, those who are accused of being “old” who have not conceived of being new and who have been regarded as “new” may not necessarily be regarded as ephemeral, ephemeral, and finally old. Of course, all serious exploration, bold creation, are useful, seeking