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民族管弦乐队的音响协和问题,长久以来困扰着我们的民乐指挥及作曲家。最典型的现象就是,同样的和声结构,为什么在第一小提琴、第二小提琴、中提琴与大提琴的提琴组合中听起来丰满、均衡,而在对应的高胡、二胡、中胡、革胡、低胡的胡琴组中却显得粗涩而紧缩?同样的乐队全奏,西
Symphony orchestral harmonies have long plagued our folk conductors and composers. The most typical phenomenon is that the same harmony structure, why in the first violin, the second violin, viola and cello violin combination sounds full, balanced, and in the corresponding Gaohu, Erhu, Zhonghu, Ge Hu, In the low-lying group, the violin appears coarse and tightened. The same band played all over the West