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《画刊》:你如何看待“八五”美术新潮时期对待文化传统的态度?贾方舟:上世纪80年代的文化针对性是两个传统:一个是自身的文化传统,另一个是1949年新中国成立以后的现实主义新传统。这两个传统都是“八五”美术新潮面对的反思对象,因为这两个传统严重束缚着中国当代艺术的时代转向,而西方现代艺术的涌入正好成为可以“攻玉”的他山之石。当我们借用西方现代艺术这样种方式来破除束缚我们的两个传统时,我们惊
“Pictorial”: How do you think about the attitude toward the cultural tradition in the art trendy period of “85”? Jia Fangzhou: The cultural orientation of the 1980s is two traditions: one is its own cultural tradition and the other is 1949 The New Realism Tradition after the Founding of New China in. Both of these two traditions are the objects of reflection faced by the trendy art genre of “85”, because these two traditions seriously obstruct the turning of the era of Chinese contemporary art, and the influx of Western modern art just became “ ”Other mountain stone. When we borrow Western modern art in such a way as to break the two traditions that bind us, we are shocked.