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象在莫高窟壁画中无处不在,即是佛教的尊神,也是中印古代文化交流的见证之一。本文主要对敦煌莫高窟壁画中的象进行了分析,阐述了壁画中象的图案、边饰纹样以及象文化故事的来源和发展,让更多的人们能够了解敦煌莫高窟壁画中的大象。
As everywhere in the Mogao Grottoes, that is, the god of Buddhism, but also one of the witness of ancient Chinese and Indian cultural exchanges. This article mainly analyzes the images of the murals in Mogao Grottoes of Dunhuang and expounds the origin and development of elephant patterns, decorative patterns and cultural stories in murals so that more people can understand the large Like