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在中国大地上,军歌曾经有过极为辉煌的时代。从战争年代豪气凌云的《中国人民解放军进行曲》,到激起举国民众爱国之情的《志愿军战歌》,再到五六十年代成为群众歌曲主导的《我是一个兵》、《打靶归来》,八十年代风靡一时的《十五的月亮》以及九十年代《当兵的人》等等,军歌旋律响彻大江南北,熔铸于几代人的记忆中,无以消逝。而今天,当我们直面光阴的流转与岁月的更迭时,在歌曲的流行性与其商业命运密不可分的时候,在流行歌曲正以其独具的平民性让相当一部分民族音乐感受不同程度的茫然和失落,一向正统、严肃的军歌面对着的是一种音乐文化大环境的改变和挑战。专家认为,歌曲创作是部队文艺创作近年来着力寻求突破的一个方面,原因在于在各种文艺作品中,歌曲在战士中的影响最广,其社会受众也较其他部队文艺作品为广。尽管五
In the land of China, the military songs have had a very glorious era. From the “March of the People’s Liberation Army march” of the war years to the “battle song of the volunteer army” that aroused the patriotic feelings of the nation and the people, “I am a soldier” and “target return” that became the dominant songs of the masses in the 1950s and 1960s, Popular in the 1980s, “The Moon of the 15” and “Soldiers in the 90’s” and so on, the melodies of the military melted across the river from north to south and cast in the memory of generations instead of disappearing. Today, when we deal directly with the passing of time and the change of years, when popular songs are inseparable from their commercial destinies, popular songs are making a considerable part of the national music feel varying degrees of loss due to its unique civilian character Lost, always orthodox, serious military songs face a change in the cultural environment and challenges. Experts believe that song creation is one aspect of force literature and art creation that has sought to make breakthroughs in recent years. The reason is that songs have the most extensive influence among warriors in various kinds of literary and artistic works, and their social audiences are also wider than other force literature and art productions. Despite five