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花卉难拍的一个原因,是很难通过摄影将对象进行艺术提炼。尤其是面对遍地的鲜花,更是如此。花朵完全随意地分市,任何一个群体都不相同,其实又都雷同,加之花丛的枝叶、周围环境等,往往显得杂乱无章,无从下手。然而,数年的经验告诉我,逆光是提炼画面的一个有效手段。我在日内瓦拍摄的《郁金香》(见图。原作为彩色反转片,可见《摄影世界》88年第7期封三)便是一例。春天的日内瓦是郁金香的世界,我于是产生了强烈的创作欲望。出于对逆光摄影的偏爱,在背着相机
One reason why flowers are hard to beat is that it is very difficult to refine the objects through photography. Especially in the face of flowers everywhere, even more so. Flowers completely free to sub-market, any one of the groups are different, in fact, are the same, together with flowers foliage, the surrounding environment, etc., often seem disorganized, can not start. However, years of experience tells me that backlighting is an effective means of refining the picture. The “Tulip” I shot in Geneva (see photo, originally used as a color reversal film, shows Photography World, No. 7, Sept. 8, 1988) is one example. Spring in Geneva is the world of tulips, I then had a strong desire to create. Out of favor with backlight photography, carrying the camera