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时下的中国画,因展览的需要,越画越大。因要夺人眼目,必须强烈,所谓的张力,怪诞之作应运而生。学养功力不济,便以高密度制作迎人,为达到展出和获奖的目的,不遗余力的追求视觉效果,加之外来艺术的影响,求异、求怪成了时尚,把老祖宗遗传下来的那点基因早已冲到九霄云外去了。这样下去对中国画发展极为不利,大家都在呼唤力作,然力作总也呼唤不出来,历届大展之后都留下深深的遗憾。 中国画有它自身的发展规律,学养、功力是它的基本条件,画不在大小,但必须讲究,只有品位高低,没有新旧之分,任何所谓符号化的风格面貌设计,都是急于求成的自我表现。我主张渐
Chinese paintings nowadays, due to the needs of the exhibition, the larger painting. In order to win the eye, must be strong, the so-called tension, weirdness came into being. In order to achieve the purpose of exhibition and award winning, we spare no effort in pursuit of visual effects. In addition to the influence of art from outside, The gene has already rushed to nine clouds. This continues on the development of Chinese painting is extremely unfavorable, everyone is calling for masterpiece, but masterpiece also can not call out after all previous exhibitions have left a deep regret. Chinese painting has its own law of development, learning and skill is its basic conditions, not the size of the painting, but must pay attention to, only the level of taste, there is no distinction between the old and the new, any so-called symbolic style design, are eager to find themselves which performed. I advocate gradually