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德国古典现实主义的奠基者、启蒙运动的杰出代表莱辛,在其不朽的美学著作《拉奥孔》中,针对人们过分强调“诗画一致”的偏向,重点讨论了诗与画这两种艺术各自的特殊规律、不同特质和不同效果,即“诗画异质”。《拉奥孔》还有另一个标题:关于论诗与画的界限——兼论《古代艺术史的若干观点》,在“论”与“兼论”这两个正副标题之间,莱辛插入了普鲁塔克的一句引言:“它们在题材和模仿方式上都有区别。”《拉奥孔》群像是希腊化时期的作品,群
In her monumental aesthetic book Laocoon, Lassin, the founder of German classical realism and the outstanding representative of the Enlightenment, focused on the tendency of people to overemphasize “unity of poetry and painting”, focusing on poetry and painting The special laws of the two kinds of art, different traits and different effects, namely “poetic heterogeneity ”. There is another headline on “Laocoon”: On the boundary between poetry and painting - Also on “Some Views of Ancient Art History”, on the two positive and one subtitle of “On” and “And on” Among them, Lessing inserted Plutarch’s introduction: “They differ in their themes and modes of imitation.” “The Laocoon” group is the work of the Hellenistic period, with groups