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《上海文化艺术报》3月9日发表了李惠康《重塑越剧在上海的形象》,文中分析了越剧在上海日益萎缩的原因。它似一发重炮,引起了北京、上海、浙江的戏曲界、理论界及观众的强烈反响。他们纷纷撰文进行探讨。期望这次讨论对越剧改革和戏剧发展有所推动。关于“老化”问题。李惠康探究了其历史原因。一大批经十年浩劫,早在建国前后成名的老演员,怀着被剥夺了的演出权利一旦回归时所特有的紧迫感,都
On March 9, Shanghai Culture and Art Daily published Li Huikang’s article “Reshaping the Image of Yue Opera in Shanghai,” which analyzes the reason why Yue Opera is shrinking in Shanghai. It is like a heavy artillery, caused by Beijing, Shanghai, Zhejiang opera circles, theorists and audiences strong repercussions. They have written to discuss. It is hoped that this discussion will promote Shaoxing’s reform and drama development. On the “aging” issue. Li Huikang explores its historical reasons. A large number of old actors who became known as early as the founding of the People Republic of China after a decade of catastrophe, with the sense of urgency that once deprived of their right to performance once they returned,