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清代书法,处于一个非常特殊的时期。一方面,帝王对书法的垂青,科举制度对书法的格外关照,使二王以来形成的帖学生命况味、哲学意识日益流失,形成了千人一面的馆阁体,书法界一些豪杰之士,不满意于书法走向馆阁体末路,遂奋然而起,力挽帖学颓波,从而酿成了帖学一度中兴的局面,出现了一批帖派名家。另一方面,做为异族入主中原建立的清王朝,为了加强自身统治地位,采取了历史上最为黑暗、最为残酷的文字狱政策,使许多有思想的文化人,钳口结舌,不再热衷于肇祸的文学创作,从而转向音韵、训诂、金石考据等远离是非的学术活动。金石学的研究,遂使退隐幕后一千多年的碑学,重塑金身,以主角的身份,光彩灿烂地出现于书坛之上。这样就在清代书坛上构成了帖派与碑派踵继
Qing calligraphy, in a very special period. On the one hand, the emperors pay homage to the calligraphy and the imperial examination system to the calligraphic extra care, so that the formation of the two kings since the smell of life and philosophical awareness loss, the formation of thousands of pavilion body, some calligrapher genius, Dissatisfied with the calligraphy toward the end of Museum Court Road, then struggling to catch up with Xie Tie decadent wave, resulting in the post was once ZTE ZTE situation, there have been a number of Tie School famous. On the other hand, the Qing dynasty, established as an alien into the Central Plains, adopted the most dark and cruel writing prison policy in history in order to strengthen its own dominance and kept many thoughtful cultural people jaw-nipping and no longer keen In the accidental creation of literature, and thus turn to phonology, exegesis, stone test and so far away from the academic activities. The study of the pedestal of stone, so that the monument after a thousand years of retreat, reshape the golden body, to the protagonist’s identity, brilliant above the book. In this way, the Qing Dynasty calligraphy posthumous group formed with the monument to follow