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本文经类型学研究,将辽东地区两周时期流行的双房式陶壶分为三期,并对年代进行了讨论。在此基础上,通过对其内涵与外延的把握提出三点认识:1·双房式陶壶的祖型可追溯到庙后山文化,在以后的发展过程中逐渐形成以太子河、浑河为中心,分布范围遍及辽东地区具有显著时段特征的一种考古遗存。2·将双房式陶壶分为A、B两系,认为它们是同源陶壶谱系的两个发展序列。3·所谓“美松里”陶壶,是双房式陶壶自西周中晚期发生分野以后,向东流入西北朝鲜地区发展的一支。同时这种陶壶的北传,还对西团山文化产生了较大影响。
Based on the typological study, this paper divides the two-room clay pots popular in eastern Liaoning two weeks into three periods, and discusses the chronology. On this basis, we can make three points by understanding its connotation and extension: 1. The ancestral pattern of the double-chamber clay pot can be traced back to the Miaowu Mountain Culture. In the later development process, the Prince River and the Hun River As the center, an archaeological remains distributed throughout the Liaodong area with significant periods of time. 2. Divide the two-room clay pots into A and B two-line system and consider them two developmental sequences of homology pottery pedigree. 3. The so-called “Misusari ” clay pot, is a double pottery pot since the late Western Zhou differences occurred, the east into Northwest North Korea’s development. At the same time, this pot of North Biography, but also on the West Mission Hills culture had a greater impact.